By Andrea Plaid
Usually, this space at this time is reserved for the Racialicious Crush Of The Week. But sometimes we gotta keep our Fridays light by giving some side-eye to some face-palming foolishness.
This week’s features some old-school kyriarchy from former Disney star Selena Gomez, who’s been styling out with bindis since the MTV Video Awards in mid-April. Before folks jump in the comments and talk about how that’s impossible for a woman of color to appropriate from another culture of color…as we say around these parts, “If you’re not part of the group, then you’re more than likely appropriating.” And Gomez, who is the child of a Mexican-American dad and a white mom, wears the bindi with the privileges of a non-South Asian woman born and reared in the US.
It is a problem when religious symbols become widespread and therefore lose their religious significance. But the fear of dilution isn’t really an issue here — the bindi has lost whatever religious significance it once had to Hindus some time ago, and is now used mostly for decoration. Madonna and Gwen Stefani didn’t turn the bindi into a fashion statement when they adopted it in the 90s — we desi women already did so years before that.
What makes the non-South Asian person’s use of the bindi problematic is the fact that a pop star like Selena Gomez wearing one is guaranteed to be better received than I would if I were to step out of the house rocking a dot on my forehead. On her, it’s a bold new look; on me, it’s a symbol of my failure to assimilate. On her, it’s unquestionably cool; on me, it’s yet another marker of my Otherness, another thing that makes me different from other American girls. If the use of the bindi by mainstream pop stars made it easier for South Asian women to wear it, I’d be all for its proliferation — but it doesn’t. They lend the bindi an aura of cool that a desi woman simply can’t compete with, often with the privilege of automatic acceptance in a society when many non-white women must fight for it.
I understand being a little flummoxed at the rage that the bindi issue inspires in our community. The anger always seems disproportionate to the crime. But will I celebrate the “mainstreaming” of a South Asian fashion item? Nope. Not when the mainstream doesn’t accept the people who created it.
By Guest Contributor Janell Hobson; originally published at The Feminist Wire
Fifteen years ago, the stardom of then-23-year-old Lauryn Hill had peaked when she released what would become her defining musical legacy. After rising to popularity as part of the hip-hop trio The Fugees, with fellow members Wyclef Jean and Pras, she later released her solo album, The Miseducation of Lauryn Hill, which went on to garner multiplatinum sales and five Grammy Awards for the recognizably brilliant singer-rapper. Such accomplishments made her the first female artist to be nominated for and to win the most Grammys in a single night and her album the first hip-hop-themed work to win the Grammy’s top prize of Album of the Year.
Interestingly, the same year of Lauryn’s solo album debut, a 16-year-old who would later be known only by her first name – Beyoncé – also emerged on the pop scene when Destiny’s Child released their self-titled debut album. And in a curious one-degree-of-separation of the two icons, Destiny’s Child’s collaboration with Wyclef on their song “No No No” led to the group’s first successfully released single, which topped R&B charts.
In retrospect, it seems easy to trace what would become a commingled narrative: one star rises while another one declines. One star (Ms. Hill) presumably declined a starring role in the Hollywood faux-feminist blockbuster, Charlie’s Angels, while the other star (Beyoncé), along with fellow group members, provided the necessary “girl power” anthem – “Independent Women, Part I” – for the movie’s soundtrack. One star virtually disappeared from the mainstream media while the other star appeared ubiquitously, covering every magazine from Sports Illustratedto Vogue to GQ to the feminist publication Ms.
One star proved a lyrical genius – rapping and crooning on politics, love, religion, and the resistance of corporate media – while the other preferred more superficial fanfare concerning clubbing, looking fabulous, and having her own money to spend as she fends off heartaches and trifling lovers, while occasionally championing women’s empowerment. One star refused the pop-culture make-over, preferring instead to rock her natural hair and bask in her dark-skinned beauty, while the other has made a signature look out of blond weaves and other variations on white beauty standards that her light-skinned beauty can more easily appropriate.
Hosted by Tami Winfrey Harris and Andrea Plaid
Since Tami, Womanist Musings’ and Fangs for the Fantasy’s Renee Martin, and I noticed the dearth of Black folks and other people of color in the episode, we had to compensate with the above photo of actor Teyonah Parris, who plays Dawn on Mad Men. In the meantime, we chat about Don’s continued dick-swinging and its bad aim. So y’all know how this goes: Spoilers and thangs.
By Latoya Peterson
So I haven’t done a movie review for this site in forever, and I probably will never again. That’s because before I started this gig, I watched movies like this:
And now I watch movies like this:
But the other Knights wanted to go, it looked pretty, Hova did the soundtrack, and I was hoping it would be as much fun as Sofia Coppola’s Marie Antoinette. (Huh? Plot? We ain’t got time for alla that. That’s what the book is for.)
So, Gatsby was fun–as one of my friends noted, it’s “Art Deco Porn.” But of course, there’s also race things. Some quick observations after the jump. *SPOILERS TOO!*
By Arturo R. García
And thanks to Kendra and Joseph for allowing me to follow in a proud tradition of San Diegan closers by being your guest recapper for the season finale. But enough about me.
Spoilers under the cut, and they will be thorough. Continue reading »
Continue reading »
by Joseph Lamour
The levels to which I would like to see Lucy Liu, Eva Mendes, or Aisha Tyler as the next Rom Com Queen knows no bounds. It’s nice to know Ms. Liu feels the same way. From The Edit magazine:
“I wish people wouldn’t just see me as the Asian girl who beats everyone up, or the Asian girl with no emotion. People see Julia Roberts or Sandra Bullock in a romantic comedy, but not me. You add race to it, and it became, ‘Well, she’s too Asian’, or, ‘She’s too American’. I kind of got pushed out of both categories. It’s a very strange place to be. You’re not Asian enough and then you’re not American enough, so it gets really frustrating.”
I have so many (read: so many) ideas in the works for romantic comedies, each starring a lead of color. And, one gay one- starring me, of course. If Lena Dunham can do it, so can I. I just want to see someone like Lucy fall in love in a movie lit like a Dannon commercial. Doesn’t everyone want that? Fellow lovers of Hitch, The Wedding Planner, and Something New: who would you like to see meet-cute, wardrobe montage, and run towards (or away from) an airport in a romantic comedy? Make your case in the comments.
by Guest Contributor Pavani Yalamanchili; originally published at The Aerogram
Chef Daniel Klein and co-producer/filmmaker Mirra Fine are the creators of The Perennial Plate, a weekly online documentary series that tells the stories of food and the people who make it, with a focus on socially responsible and adventurous eating. The first season took place in Minnesota, and the second took them across America. For its third season, the series is going global and traveling to China, Japan, India, Sri Lanka, Spain, Morocco, Italy, Turkey, Argentina, Mexico, South Africa and Ethiopia.
In recent months, the series has been posting episodes from the South Asian leg of their world tour, including a fast-paced and musical montage video “Day in India.” It compiles footage from their Indian stay during which they filmed several episodes, including “Dabbawalla” and another featuring an interview with environmental activist Dr. Vandana Shiva. The film-making pair, who recently announced their engagement, also spent time in Sri Lanka where they visited an organic tea farm, a coconut plantation and met a fishing family.
The vegetarian co-producer of Perennial Plate, Mirra Fine, took time from her packed itinerary to entertain a few questions by email from The Aerogram.
What’s involved in making a popular montage video like “A Day in India”?
For a montage video such as that one, we spent three weeks in the country and filmed everything we saw, ate, and experienced. We came home with at least 15 hours of footage and had to try to figure out a way to condense it into three minutes. We figured that creating “one day” from all the footage would be a great way to do so. Sometimes videos with “themes” have a better chance of going viral. Pretty much, we had to comb through all of the film and take just the beautiful shots, and then find an amazing song (or songs), and then sit for 3-4 hours putting the images to music.
How long were you in Sri Lanka?
We were in Sri Lanka for two weeks (we went there straight from India). We filmed three stories there: “Tea Farmers”, “Coconut: Nose-to-Tail” (about a family on a coconut plantation), and “Do Not Blame The Sea” — which came out on Monday and is about a stilt fishing family who lost six members in the tsunami but still fish every day. It’s quite beautiful.
The “Tea for Two” episode offers an intimate look at a Sri Lankan couple who farm organic fair trade tea, and you mention that you didn’t expect to be so taken with their relationship. What kind of video were you expecting to end up with?
When filming a new story, we never really go into it with a clear vision of what the story will be. We just have a vague idea. Especially when filming overseas, we have limited access to information due to lack of a common language, internet access etc. All we knew about Piyasena and Ariwatha (the two farmers) is that they were part of the Sri Lanka Small Organic Farmers Association meaning they were organic and fair trade.
We went to the farm hoping to see a day in their lives… hear about what it’s like to be an organic tea farmer in Sri Lanka, and hear about their lives. When we got there, we saw that there was something else even more powerful going on — and that was the relationship between the two of them. So we decided to focus on that. I’ve got a TON of footage on the editing room floor with information about tea farming, etc. But this story just touched us. So we went with that. I think we spent four hours with them.
The Perennial Plate has a video on How to Make Chopped Roti and Dal. Did you learn to make any other foods in Sri Lanka? Which foods were your favorites to eat there?
We actually didn’t learn how to make chopped Roti in Sri Lanka. Instead, we just ate it a lot and then came home and Daniel tried to make it. (He’s really good at that sort of thing). We did visit a family who showed us how to make string hoppers, which are delicious. Have you tried them? String hoppers are amazing with curry.
Sri Lankan food is really incredible. Rice and curry is the main staple, but the street food was also wonderful. Daniel loved the fried fish in chickpea flour (I didn’t try it as I’m a vegetarian). We both loved this chickpea dish that we happened upon when we saw a man in Galle selling it from a cart on the street. It is warm chickpeas with fresh chili, coconut, and spices. It was presented to us on a piece of folded up newspaper. It was amazing.
Is there any particular South Asian ingredient that you enjoy using when preparing food?
Daniel is a chef who trained for some time in India, so he loves all the spices that go into Sri Lankan and India cuisine. And he does say that the most prized ingredient that is the most difficult to find in the US is the fresh curry leaves.
About This BlogRacialicious is a blog about the intersection of race and pop culture. Check out our daily updates on the latest celebrity gaffes, our no-holds-barred critique of questionable media representations, and of course, the inevitable
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Latoya Peterson (DC) is the Owner and Editor (not the Founder!) of Racialicious, Arturo García (San Diego) is the Managing Editor, Andrea Plaid (NYC) is the Associate Editor. You can email us at email@example.com.
The founders of Racialicious are Carmen Sognonvi and Jen Chau. They are no longer with the blog. Carmen now runs Urban Martial Arts with her husband and blogs about local business. Jen can still be found at Swirl or on her personal blog. Please do not send them emails here, they are no longer affiliated with this blog.
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- Friday Foolishness: Selena Gomez Is Wearing A Bindi?
- The Rise Of Beyoncé, The Fall Of Lauryn Hill: A Tale Of Two Icons
- Retrolicious–Mad Men 6.7: “Man With A Plan”
- Open Thread: The Great Gatsby
- Scandal Recap 2.22: “White Hats Back On”
- Quoted: Lucy Liu On Racial Image And Romantic Comedies
- The Perennial Plate Visits India And Sri Lanka On Its World Tour
- The Racialicious Links Roundup 5.16.13
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